Using a simple and direct hand-writing process, researchers have successfully produced ultralong polymer-carbon nanotube (CNT) composite fibers with length of over 50 cm as precisely controlled conducting wires for flexible electronics. The results have been reported in the February 8, 2015 online edition of ("Direct Writing of Half-Meter Long CNT Based Fiber for Flexible Electronics"). Using a simple hand-writing process, carbon nanotubes can be aligned inside a continuous and uniform polymer fiber with length of more than 50 cm and diameters ranging from 300 nm to several micrometers. (© ACS) The as-prepared continuous fibers exhibit high electrical conductivity as well as superior mechanical flexibility (no obvious conductance increase after 1000 bending cycles to 4 mm diameter). Such functional fibers can be easily configured into designed patterns with high precision according to the easy “writing” process. The easy construction and assembly of functional fiber shown here holds potential for convenient and scalable fabrication of flexible circuits in future smart devices like wearable electronics and three-dimensional (3D) electronic devices. The ultralong submicron fibers can be directly written by ordinary pen, possessing ideal uniformity as well as good alignment of CNTs inside polymer fibers. The research shows that thinner fibers exhibit higher electrical conductivity according to better alignments of CNTs in fibers. Accurate positioning control and fast assembly have been accomplished conveniently trough this simple writing method. The team also demonstrated that such fibers are suitable for flexible electronic device applications with superior mechanical flexibility.
Half-meter long carbon nanotube fibers for flexible electronics
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Getting in shape - how to create non-spherical particles
New research from the Micro/Bio/Nanofluidics Unit at the Okinawa Institute of Science and Technology Graduate University (OIST) looks at how to create various non-spherical particles by releasing droplets of molten wax into a cool liquid bath. The physics behind this research shows how a range of non-spherical shapes can be produced and replicated with many possible industrial applications. OIST Professor Amy Shen collaborated with her former Ph.D student Shilpa Beesabathuni from University of Washington, as well as The Procter & Gamble Company in the United States to conduct the research published in ("Getting in shape: Molten wax drop deformation and solidification at an immiscible liquid interface"). Here you can see the method by which the wax particles were generated and examined by researchers. Non-spherical particles have a great deal of potential uses in industry because associated with their different shapes are properties such as large surface areas, high packing densities and unique responses to external electric and magnetic fields. Such properties can lend themselves to applications ranging from food processing, consumer goods such as cosmetics, absorbents, and drug delivery systems. Prior research in creating non-spherical particles ranging from the micron to millimeters length scale has yielded production methods that are limited in scope and usually require the use of specialized equipment. The method used by Prof. Shen’s unit is simple, low cost, scalable, and applicable to many types of fluids. By forming molten liquid drops and releasing them into a bath of cooler liquid to solidify them, one can create a single non-spherical particle shaped by a combination of several variables acting on it from the moment of impact. The physics behind the creation of different particle shapes through the use of impact and solidification between a molten liquid, in this case wax, and a cooler liquid medium were not entirely understood when this research began. In order to explore what shapes were possible, many different variables had to be taken into account, such as the temperature of the wax, temperature of the liquid bath, density and viscosity of the liquid bath, and the impact speed of the molten liquid drop. The four resulting shapes generated by the research were made by variations in factors such as the speed of impact, temperature of the fluids, and the density of the liquid bath the particles were dropped in. By balancing these different variables with competing time scales, four shapes presented themselves throughout the research: Ellipsoid, Mushroom, Flake-like, and Disc. In addition to the use of high speed image analysis, a simplified heat transfer model was used to estimate the time it takes for an individual molten wax drop to solidify after making contact with the cooling liquid bath. The resulting data allows for these four types of non-spherical shapes to be reliably reproduced and lays the groundwork for other types of particles to be created using similar methods. Professor Shen explains “People have done studies similar to this in the past using liquid metals impacting solid surfaces, but not other liquids. In terms of the fundamental physics, I believe this research is unique. In terms of applications it’s also very important because of how simple and low cost this method is as well as how easily it can be scaled.” Wax based particles in particular with their low melting points would perhaps see use in the field of cosmetics but Professor Shen points out that similar methods can work with temperature sensitive polymeric and hydrogel materials, the same substances that are commonly used for capsules in pharmaceuticals, to provide new methods of making non-spherical capsules for drug delivery.
Inkjet-printed OLED displays
Flexible smartphones and color-saturated television displays were some highlights at this year’s Consumer Electronics Showcase, held in January in Las Vegas. Many of those displays were made using organic light-emitting diodes, or OLEDs — semiconducting films about 100 nanometers thick, made of organic compounds and sandwiched between two electrodes, that emit light in response to electricity. This allows each individual pixel of an OLED screen to emit red, green, and blue, without a backlight, to produce more saturated color and use less energy. The film can also be coated onto flexible, plastic substrates. But there’s a reason why these darlings of the showroom are not readily available on shelves: They’re not very cost-effective to make en masse. Now, MIT spinout Kateeva has developed an “inkjet printing” system for OLED displays — based on years of Institute research — that could cut manufacturing costs enough to pave the way for mass-producing flexible and large-screen models. Kateeva's YIELDjet system (pictured here) is a massive version of an inkjet printer. Large glass or plastic substrate sheets are placed on a long, wide platform. A head with custom nozzles moves back and forth, across the substrate, coating it with OLED and other materials. (Courtesy of Kateeva) In doing so, Kateeva aims to “fix the last ‘Achilles’ heel’ of the OLED-display industry — which is manufacturing,” says Kateeva co-founder and scientific advisor Vladimir Bulovic, the Fariborz Maseeh Professor of Emerging Technology, who co-invented the technology. Called YIELDjet, Kateeva’s technology platform is a massive version of an inkjet printer. Large glass or plastic substrate sheets are placed on a long, wide platform. A component with custom nozzles moves rapidly, back and forth, across the substrate, coating it with OLED and other materials — much as a printer drops ink onto paper. An OLED production line consists of many processes, but Kateeva has developed tools for two specific areas — each using the YIELDjet platform. The first tool, called YIELDjet FLEX, was engineered to enable thin-film encapsulation (TFE). TFE is the process that gives thinness and flexibility to OLED devices; Kateeva hopes flexible displays produced by YIELDjet FLEX will hit the shelves by the end of the year. The second tool, which will debut later this year, aims to cut costs and defects associated with patterning OLED materials onto substrates, in order to make producing 55-inch screens easier. By boosting yields, as well as speeding up production, reducing materials, and reducing maintenance time, the system aims to cut manufacturing costs by about 50 percent, says Kateeva co-founder and CEO Conor Madigan SM ’02 PhD ’06. “That combination of improving the speed, improving the yield, and improving the maintenance is what mass-production manufacturers want. Plus, the system is scalable, which is really important as the display industry shifts to larger substrate sizes,” he says. The other Kateeva co-founders and technology co-inventors are MIT Provost Martin Schmidt, now a scientific advisor; Jianglong Chen SM ’03, PhD ’07, now program director; and Valerie Leblanc PhD ’07, now staff scientist. Getting flexible TFE was invented to coat flexible OLED screens with a barrier as solid as glass, but bendable. But it is prone to contamination and other issues. Traditional TFE processing methods enclose the substrate in a vacuum chamber, where a vapor of the encapsulating film is sprayed onto the substrate through a metal stencil. This process is slow and expensive — primarily because of wasted material — and requires stopping the machine frequently for cleaning. There are also issues with defects, as the coating that hits the chamber walls and stencil can potentially flake off and fall onto the substrate in between adding layers. But moisture, and even some air particles, can sneak into the chamber, which is deadly to OLEDs: When electricity hits OLEDs contaminated with water and air particles, the resulting chemical reactions reduce the OLEDs’ quality and lifespan. Any displays contaminated during manufacturing are discarded and, to make up for lost yield, companies boost retail prices. Only two companies now sell OLED television displays, with 55-inch models selling for $3,000 to $4,000 — about $1,000 to $3,000 more than their 55-inch LCD and LED counterparts. YIELDjet FLEX aims to solve many TFE issues. A key innovation is encasing the printer in a nitrogen chamber, cutting exposure to oxygen and moisture, as well as cutting contamination with particles — notorious for diminishing OLED yields — by 10 times over current methods that use vacuum chambers. “Low-particle nitrogen is the best low-cost, inert environment you can use for OLED manufacturing,” Madigan says. In its TFE process, the YIELDjet precisely coats organic films over the display area as part of the TFE structure. The organic layer flattens and smoothes the surface to provide ideal conditions for depositing the subsequent layers in the TFE structure. Depositing onto a smooth, clean surface dramatically improves the quality of the TFE structure, enabling high yields and reliability, even after repeated flexing and bending, Madigan says. Taking off the mask Kateeva’s other system offers an improvement over the traditional vacuum thermal evaporation (VTE) technique — usually somewhere in the middle of the production line — that uses shadow masks (thin metal squares with stenciled patterns) to drop red, green, and blue OLED materials onto a substrate. Much like conventional TFE processing, VTE involves placing a substrate inside a vacuum chamber, and spraying through the shadow mask a vapor of OLED material in precise patterns of red, green, and blue. But materials are wasted when the vapor is sprayed on the mask and chamber. Coating the chamber and mask can also lead to particle contamination as the material flakes off, so excessive cleaning maintenance is required, Madigan says. This isn’t necessarily bad for making small, smartphone screens: “If a substrate sheet with, say, 100 small displays on its surface has five defects, you may toss five, and all the rest are perfect,” Madigan explains. And smaller shadow masks are more reliable. But manufacturers start to lose money when they’re tossing one or two large-screen displays due to particle contamination or defects across the substrate. Kateeva’s system, which, like its TFE system, is enclosed in a nitrogen chamber, precisely positions substrates — large enough for six 55-inch displays — beneath print heads, which contain hundreds of nozzles. These nozzles are tuned to deposit tiny droplets of OLED material in exact locations to create the display’s pixels. “Doing this over three layers removes the need for shadow masks at larger scales,” Madigan says. As with its YIELDjet FLEX system, Madigan says this YIELDjet product for OLED TV displays can help manufacturers save more than 50 percent over traditional methods. In January, Kateeva partnered with Sumitomo, a leading OLED-materials supplier, to further optimize the system for volume production. Revolutionizing at MIT The idea for Kateeva started in the early 2000s at MIT. Over several years, Madigan, Bulovic, Schmidt, Chen, and Leblanc had become involved in a partnership with Hewlett-Packard (HP) on a project to make printable electronics. They had developed a variety of methods for manufacturing OLEDs — which Madigan had been studying since his undergraduate years at Princeton University. Other labs at that time were trying to make OLEDs more energy efficient, or colorful, or durable. “But we wanted to do something completely different that would revolutionize the industry, because that’s what we should be doing in a place like MIT,” Madigan says. Soon, however, HP pulled out of the project. “That left all this novel intellectual property sitting on a shelf that may never be used again,” Bulovic says. Instead of letting those patents go to waste, however, the researchers launched Kateeva in 2008 to commercially tackle OLED manufacturing. A few years before, Bulovic had cut his teeth in the startup scene with QD Vision — which is currently developing quantum-dot technology for LED television displays — and was able to connect the group with local venture capitalists. Madigan, on the other hand, was sharpening his entrepreneurial skills at the MIT Sloan School of Management. Among other things, the Entrepreneurship Lab class introduced him to the nuts and bolts of startups, including customer acquisition and talking to investors. And Innovation Teams helped him study markets and design products for customer needs. “There was no handbook, but I benefitted a lot from those two classes,” he says. In 2009, just when OLEDs were starting to gain mainstream popularity, Kateeva launched T-Jet, a precursor to YIELDjet. In that system, nozzles would drop OLED materials onto a plate, etched with a certain pattern. The plate was heated to 100 degrees Celsius to dry the ink, brought close to the substrate without touching it, and heated to 300 C to transfer the dry, patterned vapor onto the substrate. “It was a cool concept, but inkjet was still cheaper,” Madigan says. So in 2012, Kateeva pivoted, switching gears to its YIELDjet system. Today, the system is a platform, Bulovic says, that, in the future, can be tweaked to print solid stage lighting panels, solar cells, nanostructure circuits, and luminescent concentrators, among other things. “All those would be enabled by the semiconductor printer Kateeva has been able to develop,” he says. “OLED displays are just the first application.”
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